https://www.fontshop.com/families/ff-fago

German type designer Ole Schäfer created this sans FontFont in 2000. The family is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, small text as well as wayfinding and signage.

https://www.behance.net/gallery/147468/FF-Bau

Helvetica is cold and calculated, but its roots lie in much quirkier material. Its earliest direct ancestor was first introduced around 1880. Christian Schwartz updated the family for contemporary needs without rationalizing away the spirit and warmth of the original. FF Bau is at the top of my list of alternatives to Helvetica.

http://www.ffmark.com/

Ze new Germanetric sans by Hannes von Döhren, Christoph Koeberlin and the FontFont Type Department. Strong, simple, bold and created with utmost consideration and precision. True to geometric tradition, contemporary for today’s needs.

https://www.myfonts.com/fonts/fontfont/more-pro/

Polish type designer Lukasz Dziedzic created this serif FontFont in 2010. The family has 30 weights, ranging from Light to Black in Condensed, Normal and Wide (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries as well as small text. FF More provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system. In 2011, FF More received the CommArts award.

OTF | 30 Fonts | + JPG Preview

http://www.myfonts.com/fonts/fontfont/kava-pro/

German type designer Yanone created this sans FontFont between 2009 and 2010. The family has 10 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries as well as poster and billboards. FF Kava provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

OTF | 9 Fonts | + JPG Preview

http://www.myfonts.com/fonts/fontfont/maiola/

OTF | 4 Fonts | + JPG Preview

http://www.myfonts.com/fonts/fontfont/tundra-pro/

German type designer Ludwig Übele created this serif FontFont in 2011. The family has 12 weights, ranging from Extra Light to Bold (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, music and nightlife as well as small text. FF Tundra provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2011, FF Tundra received the TDC2 award. The typeface was also selected as one of Typographica’s favorite typefaces of 2011.

OTF | 24 Fonts | + JPG Preview

http://www.myfonts.com/fonts/fontfont/good-pro/

Polish type designer Lukasz Dziedzic created this sans FontFont between 2007 and 2010. The family has 30 weights, ranging from Light to Black in Condensed, Normal, and Wide (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, small text as well as wayfinding and signage. FF Good provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic writing system.

OTF | 30 Fonts | + JPG Preview

http://www.myfonts.com/fonts/fontfont/spinoza-pro/

11 years in the making, FF Spinoza is an elegant workhorse: crisp, sturdy, economical, and versatile. It was named after 17th century philosopher and lens-grinder Baruch Spinoza, who sought through both his professions to help people see clearly. A classic and highly readable Antiqua, it was inspired by the rigor of mid-century German text faces like Trump Mediaval and the lucidity of Janson revivals like Monotype Ehrhardt. Its x-height and aperture are generous, its proportions are compact, and its contrast is relatively low. Robust thin strokes and pronounced serifs and terminals make it suitable for setting in small sizes under challenging conditions, both in print and on the Web. Abruptly tapered junctures keep characters sharply defined and, in the heavier weights, create enlivening light traps. Substantial shoulders join branches and bowls firmly to their stems, which helps avoid the ‘picket-fence’ effect sometimes created by daintier typefaces. A comprehensive set of diacritics provides support for over 130 languages in the Pro version. Tabular figures are uniform in width across all weights to aid in the setting of columnar matter. Spinoza’s understated design makes it ideal for books and longer texts, but closer examination reveals distinctive details that suit it for advertising, branding, packaging, and other types of more highly flavored work. Its curves are subtly faceted, with extra corners and unexpectedly straight edges that add interest in display sizes and energy in text sizes. It has received Certificates of Excellence from the International Society of Typographic Designers and Communication Arts magazine.

OTF | 8 Fonts | + JPG Preview